Susan Bercu

Santa Rosa, California, US

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Fire Flowers

Assemblage mask: paintings, recycled newspaper, found rattan flowers and plastic leaves, stick pins.
10 in. wide x 13 in. high x 5 in. deep.

Fire Flowers is my wall mask created during the extreme drought in the aftermath of the “Glass” wildfire that roared down the parched creek 30 feet from our Sonoma County, CA home in 2020. Teams of firefighters saved our house and those of neighbors from this 67,000-acre wildfire. Its destruction is still apparent today in swaths of charred tree skeletons on our surrounding mountains. The following spring of 2021, a surprising variety of tiny wildflowers stubbornly poked their heads through the ash and rocks in the dry creek bed. I celebrated them in acrylic paint then decoupaged them on my brown ridged papier-mâché face, entitling the completed mask “Fire Flowers.”

The Post Carbon Institute’s chapter, “Think Resilience” is a roadmap for us humans to flourish in harmony with nature. In California, fires are dramatically increasing because of climate change. Our county has a comprehensive environmental plan including fire-wise measures with much education and work to be done. “Fire Flowers” is a testament to Nature’s resilience but demands the concerted allegiance of responsible community.
2022
  • Susan Bercu

Wendy and Michael

Wall assemblage uses largely recycled materials, adhered with string, wire, glue, nails. 26 in. wide x 25 in. high x 10 in. deep

My latest Window in my Stick Stories series, created mostly from driftwood, implores us to observe and revere nature. The eye glued into the driftwood profile (located on the bottom branch) is a broken Obsidian arrowhead etched with tiny chisel marks. It was found in the creek just 30 feet from my home where wildfires and floods between 2017 and 2021 unearthed these remnants from the Coast Miwok who settled here in Sonoma County 1500 years ago.

For our civilization to survive, the Post Carbon Institute’s chapter on Culture Change and Neuroscience teaches, “Most traditional human societies expended a great deal of effort to provide moral guidance, often through myths and stories, to foster pro-social behavior.”

This eye is a talisman, reminding us that we must live in harmony with each other and with nature.

Details: Pierced metal face influenced by Milagros (miracle charms found in Latin cultures); head of giraffe represents endangered wildlife; head of tribesman represents indigenous cultures.
2022
  • Susan Bercu

Just Knick Knacks

Assemblage inside a Coca Cola wood crate uses the heads of recycled dolls and my paintings (reduced) to fit each cubbyhole
12 W x 18 H inches

The concept of race is the insidious cultural story that must shift if we humans are to survive. “Just Knick Knacks” calls out egregious institutionalized prejudice.

The categorization of people by color or country of origin is a calculated invention of the oppressor to dehumanize and trivialize the “other” people as “Just Knick Knacks”. Our country was built on the backs of African slaves with the justification of labeling them an inferior race by those who enslaved them.

The Coca-Cola crate represents the unlimited power of giant corporations. Sugar, an addictive, non-nutritious substance is a symbol of greed dispensed across the planet. Each cubbyhole imprisons a victim of racism. The seven migrant children memorialized in my paintings and reduced to fit inside the case, died while in ICE custody between 2018 and 2019 under the Trump administration Zero Tolerance policy that Illegally and cruelly separated families

Racism, permeating the entire globe is the obvious result of “expedient” racial labels and leads to our demise with refugees, wars, poverty. We lose our family, home, livelihood, health, community. Our humanity.
2021
  • Susan Bercu

I am the reef

watercolor, ink, acrylic/collage on paper
18in x 24 in

Born in the same brine where all life would surge, my bones will scatter, too soon, on your bleached coral bed. The same sun melts my heart and yours in the furious flame lit by the match of the insatiable human species. Post Carbon Institute’s “Thinking in Systems” emphasizes the reality of the interconnectedness of everything. My art is a warning of the dangers of the increasing decline of coral reefs, which are some of the most diverse and valuable ecosystems on Earth. “The world’s largest coral reef system- the Great Barrier Reef, … has lost half of its coral in the past two years because of extreme heat stress from global warming.” @earthorg
2022
  • Susan Bercu

Too Late (Even for Superheroes)

Recycled materials: Canvas map (wood back), toys, phone wire, bullet cases, fake flora, tulle.
Paper mâché heads, objects are tied, nailed to background.
30 in. H x 48 in. W x 4 in. D.)

“Too Late (Even for Superheroes)" Halloween, a true story: assemblage wall triptych describes the devastation of our planet. Superheroes represent magical thinking that ignores the evidence of global warming and imperils our ability to alter over-consumption and reliance on fossil fuels. My surreal images illustrate the real toll of science denial. Fire and ash are depicted in paint on maps, doll limbs, flora. Paper mâché heads, toy animals are riddled with nails and bullets. We are in this perfect storm of partisan division, corporate greed, and a world pandemic where our outmoded, perilous policies are established by the powerful rich. The Post Carbon Institute posits that we need a new superstructure to guide us where we serve nature rather than mastering it.
2021
  • Susan Bercu

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